Fthmlss’ album “Aloe” need only be described with just one word: “luscious”. Every element of “Aloe” sounds as if it’s been handpicked for full-bodied, natural sound quality. Acoustic drum kits and organic textures embellish velvety keys, silky bass lines and cascading guitars and although it could be perhaps describable as “light-hearted”, there is richness and depth to “Aloe”, that is prevalent throughout the entirety release.
With its smooth, spaced out, float-y vibe and tactile lo-fi beats, Chrle’s first album release on Aviary Bridge Records, “Cosmos”, will transport you into the realms of zero gravity. Easy on the ears and perfect for rainy afternoons or study sessions, there is a consistently dreamy feel to “Cosmos” which is sure to capture your imagination.
Swagger Thief’s first album release on Aviary Bridge Records, “Banana”, was written with an optimistic attitude that perseveres through even the darkest moments in life. An album for disenchanted thinkers who need to be enchanted again, the central message of Swagger Thief’s creation is “learn to trust the world and human nature again, but not the government” and although “Banana” has it’s darker, grittier moments, true to their word, a glimmer of hope and love for the world persists throughout the album, even through tracks which are far more somber in nature.
Shortly after the release of his much beloved single “Blackbird”, “Chaos & Clarity” is Fletcher Reed’s short but sweet debut EP release on Aviary Bridge Records. All three tracks, “Chaos”, “Clarity” and “Everything in Between” have an emotive quality to them, achieved with celestial pianos, otherworldly sounds and organic percussive sections.
Ethereal, spacious and heavily emotive, LeVirya’s EP “I’m Right Here” was written for his mother, who sadly passed away on the 1st of April after a long fight against cancer. A direct link to Permentier’s headspace at the time, “I’m Right Here” explores the ebbs and flows of the feelings that come from having to say goodbye to someone you love. For this emotionally charged EP, LeVirya is joined by Garot Michael Conklin, who brings out this release’s sentimental vibes with his sublime trumpet solos.
Sampladelic’s first album release with us at Aviary Bridge Records, suitably named “Frankenstein’s Monster”, is an absolute sound collage of an album. Much like Frankenstein’s monster himself, the parts that make up Sampladelic’s album are chaotically thrown together, and yet the end result seamlessly makes for an eclectic and eccentric listen. This is an album which has the vibe of being an absolute joy to make. Freeing and experimental, yet masterfully put together.
Sommer’s first EP release on Aviary Bridge Records is short, but heartbreakingly sweet. Comprising of two tracks, 1. “Last Embrace” and 2. “Without you”, the melancholy mood of “Obsession” epitomises the subject of the songs, “love and loss”.
An EP written during the quiet hours between midnight and dawn after Mayaewk’s gigs in Japan, “Konbini” (AKA a convenience store) is an ode to the place that offered Mayaewk food, cigarettes and comfort when nowhere else was open. Heavily inspired by the Japanese vinyl he had been purchasing and listening to at the time, this particular EP is unique in the way it so clearly offers a slice of Mayaewk’s experience in Tokyo.